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Unfortunately all this great stuph comes with a hefty price tag, it's selling for just under $600. Simply amazing sound quality and with 8 high quality Microphone inputs I'm able to make 8-track drum recordings, or scratch recordings with mics on different instruments.
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PreSonus FirePod (Audio / MIDI) This is the interface I currently use.PreSonus FireBox (Audio / MIDI) Whish is selling for just under $300.Tascam US-122 (Audio / MIDI) Which is selling for just under $200.M-Audio MobilePre (Audio Only) Which is selling for around $130.I Used this interface for over a year and got very good results using a mixing console. Additionally you could plug inexpensive "Tape Recorder" style mic into it (Although I have no personal experience with it, something like the Sony F-V100 Dynamic Vocal Microphone for just under $9 would likely work fine). It's a good interface if you're plugging a Line-Level device such as a mixing console into it. Griffin iMic (Audio Only) At about $32 at the time of this writing, this is probably the least expensive interface option.There are dozens, in price ranges from $30-$40 to several thousand dollars. What USB and FireWire interfaces are available?Ī. In the quiet of your mixing room is when you should, and you should spend the time tweaking them for perfection. At recording time isn't when you should work on effects.
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Finally, since GB's effects are "non-destructive" (they don't alter your recorded file) you can add them, change them, and remove them at any time.You want to hear defects while you're still recording so you can trash and retake what you need to. An effect during recording may also hide a less than perfect performance that will come out later when you get to mixing and mastering.You want the performance itself to be spot on, then effect later to enhance it You may find your brain trying to compensate for things it hears and knows aren't the way they should sound. You don't want to play or sing "to the effect".Why push the machine when you don't have to, and you're more likely to get through a recording session without any type of error popping up (which will of course happen during the perfect take) GB's effects are rendered in real time, this means that your CPU has to do a whole lot more work while it's still recording you.For the most part I recommend recording everything dry, and there are several reasons for this. For those not in the familiar with the terms, "wet" and "dry" relate to effecting a track or not (or the amount, mix, of effect).